NS-Musikwissenschaft ex negativo. (German)
In: Musik und Asthetik, Jg. 17 (2013-07-01), Heft 67, S. 97-114
academicJournal
Zugriff:
Interviewed by his Freiburg students 1984, Eggebrecht claimed that he had begun his career as an autodidact. In fact, his dissertation relies on the life's work and research of his teacher Moser. With the Schütz monograph (1959), he turned away from the Lebenswelt paradigm and began a life-long ideological criticism of the organ and Schütz movements in the 1920s and continued in the Nazi musicology. However, it can be shown that this criticism misses some crucial points of Dilthey's concept of history. [ABSTRACT FROM AUTHOR]
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NS-Musikwissenschaft ex negativo. (German)
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Autor/in / Beteiligte Person: | BAYREUTHER, RAINER |
Zeitschrift: | Musik und Asthetik, Jg. 17 (2013-07-01), Heft 67, S. 97-114 |
Veröffentlichung: | 2013 |
Medientyp: | academicJournal |
ISSN: | 1432-9425 (print) |
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