Künstlerische Forschung und Phänomenologie als Theorie der Erfahrung im Tanz. (German)

Artistic research is starting to be taken seriously in Germany. This kind of research asks, first of all, whether knowledge is equivalent to science and, secondly, repudiates that art is not accessible discursively. The institutional and social demarcations between artistic, scientific and moral practice that were developed in the 18th century are now beginning to become more permeable and form new configurations. In this article I therefore advocate for a meaningful cooperation between phenomenology and artistic research as theory of the experience. I limit this model to dance. [ABSTRACT FROM AUTHOR]

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